Name  Erica Ridley

Where are you from?

I was born in Indiana, but now I live in Costa Rica!

A little about your self `ie your education Family life etc  

Although I got my degree in Business Administration from the University of South Florida, I quickly decided the corporate world was not for me and decided to pursue my dream of making a living as a writer.

Fiona: Tell us your latest news?

It’s release week for fifth book in my Dukes of War series, The Brigadier’s Runaway Bride!


Fiona: When and why did you begin writing?

I can’t remember a time when I didn’t want to be a writer. However, I did not begin to pursue a career as a professional author until 2005.


Fiona: When did you first consider yourself a writer?

Hmm, on the one hand, I’ve always thought of myself as a writer. If you mean when did I think of myself as “making it” as a professional or career writer, that’s also tough to answer because the yardstick changes constantly. First I wanted to get a literary agent. Then I wanted to get a contract. Then I wanted to see my first book on the shelves. Then I wanted to make a living solely off of writing. Then I wanted to hit a bestseller list. And so on!


Fiona: What inspired you to write your first book?

The first book I wrote as an adult was a Regency-set historical romance. I had actually never considered writing romance until I stumbled across a battered copy of Once a Princess, by Johanna Lindsey.


Fiona: Do you have a specific writing style?

I like to think that I write very real themes without losing a story’s sense of humor. I hope readers agree!


Fiona: How did you come up with the title?

For The Brigadier’s Runaway Bride—and, actually, all the titles in the Dukes of War series—I tried to ensure the titles gave a clue as to the hero and heroine of each story, and what their conflict might be.


Fiona: How much of the book is realistic?

I do my best to research historical elements as thoroughly as possible. Since it is fiction, the events did not actually happen, but such a situation could have occurred.


Fiona: Are experiences based on someone you know, or events in your own life?

I base the difficulties of returning to civilian life on the military veterans of our time. The wars are different, but many of the emotional struggles are universal. I have never been pregnant, so I had to research many of the elements related to motherhood.


Fiona: What books have most influenced your life most? a mentor?

Oof, this is a hard one. Every book I’ve ever read informs how I write. I read every writing book in my local library while I was still an unpublished author. And I owe virtually all of the industry knowledge I gleaned during that time to Romance Writers of America, which is wonderful organization for educating aspiring authors.


Fiona: What book are you reading now?

I am reading Closer Than You Think, by Karen Rose.


Fiona: What are your current projects?

The books I’m finishing now are The Pirate’s Tempting Stowaway and The Duke’s Accidental Wife.


Fiona: Name one entity that you feel supported you outside of family members.

Definitely Romance Writers of America. I can’t recommend it strongly enough!


Fiona: Do you see writing as a career?

Yes, I do. It is my primary source of income.


Fiona: If you had to do it all over again, would you change anything in your latest book?

I would change everything in every book, lol. I grow so much as a writer every time I write a new book, that I would never write the same book the same way again. The key is to keep writing new books!


Fiona: Do you recall how your interest in writing originated?

Not really—I can’t remember a time when I couldn’t read or didn’t want to write.

Fiona: Can you share a little of your current work with us?

March 1816

London, England

 

Most women would be delighted to find themselves mere moments away from becoming a duchess.

Miss Sarah Fairfax, as it happened, was not most women.

For one, she stood before a temporary altar in a private alcove of the Duke of Ravenwood’s London estate with her shoulders back, her chin up, and her belly swollen with child.

For two, Ravenwood—the handsome, eligible duke with whom she was about to wed—was not her unborn child’s father.

That had been Edmund Blackpool. The boy whose tousled golden brown locks and dreamy blue eyes had stolen her breath and her heart even when they were children. He was all she’d ever wanted… and would never have. He’d gone off to war three years ago, intending to make the world a better place. After two years of agonizing separation, last June, she had met him in Bruges, mere days before his company had been sent to Waterloo.

A sharp kick jabbed the wall of Sarah’s belly and she smiled to hide a wince of pain. Masking her emotions was all she’d done for the past eight months. Smiling was automatic now. No matter what happened.

Everything traced back to that fateful, impulsive night.

Edmund was no longer plain Mr. Blackpool, but a dashing brigadier with shiny epaulets and matching stars upon his uniform. He was beautiful and passionate and irresistible, and when he’d confessed his wish to marry her if only she’d wait for his return… She was in his arms before he had finished speaking.

He hadn’t made it off the battlefield alive.

Next had come the nausea, the dizziness, the desire to do nothing but sleep… and the realization that depression was not the sole cause. She was beyond ruined. She was pregnant. Her child would be born a bastard, and live the rest of his life in ostracized infamy, just like his mother.

Sarah faced the vicar and struggled to keep her breaths even, to not betray the weight of the endless pressure of everyone else’s expectations. Society. Her peers. Her parents. Herself. She was in this position because she’d expected to wed Edmund as soon as he returned from war.

Well, now she knew better than to count on expectations. She was in charge of her own fate now. No, make that two fates. Her knuckle traced the curve of her belly. Their future was up to her.

“Lawrence Pembroke, Duke of Ravenwood,” the vicar intoned. “Wilt thou have this woman to be thy wedded wife, to live together after God’s ordinance in the holy estate of matrimony? Wilt thou love her, comfort her, honor and keep her in sickness and in health, and forsaking all others, keep thee only unto her, so long as ye both shall live?”

Sarah’s throat convulsed. This was a nightmare. She touched her palm to her swollen midsection. Was she really going to go through with this? Would Ravenwood?

“I will,” the duke replied before Sarah could interrupt.

If she would have done so.

Her fingers stroked her belly, trying to calm the infant inside. Truth be told, they were moments away from a miracle. The child would be legitimate, not a bastard. Even once Society inevitably did the maths and realized the baby had been conceived long before the ducal wedding, the power of the Ravenwood name would protect them from all but a few whispers.

No one would dare cut them. The baby would be fine.

If the child was a boy, he would inherit a dukedom some day. If the child was a girl, she would be welcomed into Society with open arms. Perhaps marry a duke herself someday. What did it signify if her parents were not in love? If part of Sarah had died on that blood-soaked battlefield alongside her lost lover, did it matter, so long as her child was safe?

The vicar fixed his dark eyes on her. “Miss Sarah Fairfax.”

She swallowed. ’Twas a miracle and a nightmare, this union.

Sarah slid the duke a furtive glance. She’d never wished to be a duchess. She’d just wanted Edmund. And now the only way to save her baby’s future was to raise his baby as someone else’s child. Someone who wasn’t doing this for her—or for the baby.

Ravenwood was sacrificing himself at the altar for Edmund. Because for all their lives, they had been the best of friends.

Because Ravenwood hadn’t been there that day to save him.

The vicar stared at Sarah. “Wilt thou have this man to be thy wedded husband, to live together after God’s ordinance in the holy estate of matrimony? Wilt thou obey him, and serve him, love honor and keep him in sickness and in health, and forsaking all others, keep thee solely unto him, so long as ye both shall live?”

Love him? Forsaking all others? She froze, her lungs suddenly incapable of breath. Her gaze flicked over her shoulder, toward the few souls in attendance.

She hadn’t been the only one who had lost Edmund. His twin brother Bartholomew stood at the back of the alcove, his face unreadable. Her stomach twisted. Did he hate her for marrying Ravenwood? For depriving him of a niece or nephew he could claim as his own blood? For being a distraction to Edmund? She turned back to the vicar before her eyes could sting with tears. Crying wouldn’t change the past.

The future was her sole concern.

It didn’t matter what anyone thought. Not Bartholomew, not her parents, not even the vicar. All that mattered was the baby. She would be the best mother in the history of mothers. There was nothing she wouldn’t do to provide for her child. Marrying a man she did not love was the best option.

She set her jaw. As bad as things were, she and the baby were devilish fortunate. Despite so many tragedies—or, perhaps, because of them—her child would have a better future than Sarah would ever have dreamed. She would ensure her child never felt unloved or unwanted for a single moment.

Sarah lifted her gaze toward the vicar. “I will.”

The vicar nodded. “I require and charge you both, as ye will answer at the dreadful day of judgment when the secrets of all hearts shall be disclosed, that if either of you know any impediment why ye may not be lawfully joined together in matrimony, ye do now confess it.”

The alcove was still.

In the ensuing silence, Sarah was suddenly aware of a dozen tiny sounds. The vicar’s finger, smoothing a crinkled page. The slight change in Ravenwood’s breath, as if he, too, felt the weight of the future upon them. A shuffle in the rear of the alcove as Bartholomew shifted his prosthesis. Or perhaps that movement was the Earl of Carlisle, who had been stone still throughout the entire ceremony.

The earl hadn’t just lost a friend. He’d been with them on the battlefield when the twins had been injured. There had scarcely been time to save one of them.

He’d chosen Bartholomew.

Not Edmund. Not the father of her child, the love of her life. The earl had let her betrothed die.

Sarah fixed her gaze on the altar. She could not be angry at Oliver. Or at least, she would not let her bitterness show. He had been faced with a terrible decision, and he’d made the only choice that he could. Edmund had been mortally wounded. His twin was not. Bartholomew was alive because of the earl. Oliver deserved her respect and her sympathy.

He had saved a life. The war was not his fault. The earl had done his best to save everyone he could.

Just like Ravenwood was doing his best to rescue Sarah and her child.

This was her last hope. There was no going back.

The vicar’s clear voice echoed through the alcove. “Forasmuch as Lawrence Pembroke, Duke of Ravenwood, and Miss Sarah Fairfax have consented together in holy wedlock, and have witnessed the same before God and this company, and have declared the same by giving and receiving a Ring, and by joining Hands; I pronounce that they are—”

A crash filled the alcove as the well-oiled mahogany doors swung inward and slammed into the walls hard enough to knock the paintings askew.

Stop!” bellowed a deep, familiar voice.

Sarah jerked around in shock and disbelief. The imbalance of her extra weight coupled with her sudden movement sent her careening into the Duke of Ravenwood, who caught her in his arms as a sun-worn gentleman with a scruffy beard and tattered clothing stalked up the aisle.

’Twas her ex-lover, Edmund Blackpool.

Back from the dead.


Fiona: Do you have to travel much concerning your book(s)?

It is not a requirement per se, but I have traveled several times for research, particularly to period homes/locations in the UK and to visit Regency-Era paintings in various art museums.

Fiona: Do you have any advice for other writers?

I have a whole section on my website dedicated to that very thing! Please feel free to visit to check out various articles and tools/files I’ve uploaded for aspiring authors.

Fiona: Is there one person pass or present you would meet and why?

I would love to meet Nikola Tesla. Everything about him fascinates me.

Fiona: What do you want written on your head stone and why ?

I actually plan to be cremated. My youngest brother will take my ashes somewhere I’ve never been and leave me there, so that I can have one final adventure.

Fiona: Other than writing do you have any hobbies ?

I love the outdoors—hiking, camping, ziplining—and I adore traveling. I also enjoy scrapbooking.

Fiona: What TV shows/films do you enjoy watching?

I only have Netflix, and the catalog in Central America is much more limited, but I enjoy police procedurals, mystery shows, comedies, action movies, and comic book shows/movies. I’m currently bouncing between Arrow, Miss Fisher’s Murder Mysteries, Grimm, and Criminal Minds.

Fiona: Favorite foods

I am a vegetarian who loves every kind of food: Thai, Indian, Mexican, Italian, French, Spanish, the list goes on!

Fiona: If you were not a writer what else would you like to have done?

I was a web and software developer for many years before becoming a full time writer.

Fiona: Do you have a blog/website? If so what is it?

Yes! It is http://EricaRidley.com

NEW: THE BRIGADIER’S RUNAWAY BRIDE

 

Amazon: http://smarturl.it/tbrbamzpr

 

Apple iBooks: http://apple.co/1J5CfyO

 

Nook: http://bit.ly/dw5-NOOK

 

Kobo: http://bit.ly/tbrb-KOBO

 

GooglePlay: http://bit.ly/GPtbrb

 

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FREE: THE VISCOUNT’S CHRISTMAS TEMPTATION

 

Amazon: http://smarturl.it/tvctamzpr

 

Apple iBooks: http://apple.co/1SAW5F2

 

Nook: http://bit.ly/dw1-NOOK

 

Kobo: http://bit.ly/tvct-KOBO

 

GooglePlay: http://bit.ly/ZP3itD

 

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